Crossing brooklyn ferry

This is one of several "split" images in the poem representing both the Crossing brooklyn ferry and the crowds from whom he feels distanced. The description of the journey on the river is very vivid.

Gaze, loving and thirsting eyes, in the house, or street, or public assembly!

His quest now becomes more intellectual than before; the "curious abrupt questionings" are no longer emotional. The similitudes of the past, and those of the future; The glories strung like beads on my smallest sights and hearings— on the walk in the street, and the passage over the river; The current rushing so swiftly, and swimming with me far away; The others that are to follow me, the ties between me and them; The certainty of others—the life, love, sight, hearing of others.

It is in the third section that the first of two central images of the poem are established, the seagulls: Leaves of Grass is his signature collection, but it continued to evolve as Whitman returned to it again and again, adding new poems and performing significant "touch-ups" on the old ones.

He calls on everything — the bird, the sky, and the water — to keep on fulfilling their function with splendor, for everything is part of the universal life flow.

The circular flow from the physical to the spiritual connotes the dual nature of the universe. It is not you alone, nor I alone; Not a few races, nor a few generations, nor a few centuries; It is that each came, or comes, or shall come, from its due emission, From the general centre of all, and forming a part of all: His experience transcends the limits of the Brooklyn ferry and is universalized.

A Close Reading of

This search, or the function of fancy, is exemplified by the ferry ride which moves from a point in the physical world to a destination in the spiritual world. Crowds of men and women attired in the usual costumes, how curious you are to me!

Watched the Twelfth-month sea-gulls, saw them high in the air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow, His world is dominated by a sense of good, and evil has a very subservient place in it.

What is the count of the scores or hundreds of years between us? Burn high your fires, foundry chimneys! We receive you with free sense at last, and are insatiate henceforward; Not you any more shall be able to foil us, or withhold yourselves from us; We use you, and do not cast you aside—we plant you permanently within us; We fathom you not—we love you—there is perfection in you also; You furnish your parts toward eternity; Great or small, you furnish your parts toward the soul.

Many critics have come to think that the younger Whitman was a stronger poet — or at least a more concise one — than the older Whitman. Whitman has united the disparate elements of the crowd and has drawn closer to his fellow travelers by imagining a unified whole. I watch you face to face; Clouds of the west!

He and his fancy his imagination use objects to express the idea of the search for the eternal beyond the transient. Despite all these evils, people like our speaker. I see you also face to face. Oddly, he talks about himself in the past tense, saying how much he loved the city. Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd, Just as you are refreshed by the gladness of the river and the bright flow, I was refreshed, Just as you stand and lean on the rail, yet hurry with the swift current, I stood yet was hurried, Just as you look on the numberless masts of ships and the thick-stemmed pipes of steamboats, I looked.A Close Reading of "Crossing Brooklyn Ferry" - "Crossing Brooklyn Ferry" is a poem about a man taking the Brooklyn ferry home from Manhattan at the end of a working day.

It is one of Walt Whitman’s best-known and best-loved poems because it so astutely and insightfully argues for Whitman's idea that all humans are united in their common.

Crossing Brooklyn Ferry

Brief summary of the poem Crossing Brooklyn Ferry. The speaker, a man on a ferry between Manhattan and Brooklyn, leans over a railing to look into the water below. "Crossing Brooklyn Ferry" is a poem by Walt Whitman, and is part of his collection Leaves of Grass. It describes the ferry trip across the East River from Manhattan to Brooklyn at the exact location that was to become the Brooklyn Bridge.

The speaker begins half an hour before sunset. The ferry moves on, from a point of land, through water, to another point of land. Land and water thus form part of the symbolistic pattern of the poem.

Leaves of Grass

Land symbolizes the physical; water symbolizes the spiritual. Crowds of men and women attired in the usual costumes!

how curious you are to me! On the ferry-boats, the hundreds and hundreds that cross, returning home, are more curious to me than you suppose; And you that shall cross from shore to shore years hence, are more to me, and more in my meditations.

Ultimately, Whitman makes "Crossing Brooklyn Ferry" universal by emphasizing the inherent and enduring connection between man and nature.

The speaker's journey between Manhattan and Brooklyn is a metaphor for the passage of time.

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Crossing brooklyn ferry
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