An analysis of the character bene censored in the play much ado about nothing

She wages a war of wits against Benedick and often wins the battles. She is innocently misled by Borachio into the plot to deceive Claudio and Don Pedro. Claudio A young count from the city of Florence he has an uncle in Messina who is a companion to Don Pedro and has played a heroic part in the fight against Don John.

Balthasar flirts with Margaret at the masked party and helps Leonato, Claudio, and Don Pedro trick Benedick into falling in love with Beatrice.

He is father to Hero, uncle and guardian to Beatrice, and host to Don Pedro and his entourage. Read an in-depth analysis of Don Pedro.

He is committed to a personal code of ethics that prevents him from accepting a "tarnished" bride. She is generous and loving, but, like Benedick, continually mocks other people with elaborately tooled jokes and puns. Has Benedick changed during the week of the play?

Benedick has probably had a lot of experience with women, only one of whom was Beatrice. Dogberry is very sincere and takes his job seriously, but he has a habit of using exactly the wrong word to convey his meaning.

Hero is lovely, gentle, and kind. Her loyalties shift easily: Don Pedro is generous, courteous, intelligent, and loving to his friends, but he is also quick to believe evil of others and hasty to take revenge.

Throughout the early scenes, his exchanges with Beatrice create a feeling that he "doth protest too much" — that is, he really harbors at least affection for Beatrice.

Much Ado About Nothing

Strong-willed, opinionated, and outspoken, she has been emotionally wounded by Benedick in earlier encounters and has built a defense system against him with sarcasm, wit, disparagement, and apparent indifference.

She falls in love with Claudio when he falls for her, but when Don John slanders her and Claudio rashly takes revenge, she suffers terribly. His subsequent meetings with Beatrice and with his friends show a marked change in his attitudes and demeanor from the early scenes.

Having admired Hero before going off to war, on his return he is much taken with her — and perhaps with her future inheritance. George Seacoal and Other Watchmen The words and actions of the watchmen make them seem more alert and intelligent than Dogberry and Verges.

He is quite ready to believe that Beatrice loves him and is not afraid of changing his mind, even publicly.

She is protective of Hero, her cousin. His support for Beatrice after the denunciation, including his confrontation with Claudio, demonstrates not only his commitment to Beatrice, but also the value he places on justice even at the risk of loyalty. Beatrice Orphaned niece of Leonato, raised in his household as a second daughter.

Leonato is the father of Hero and the uncle of Beatrice. He is the most politically and socially powerful character in the play. Also unlike Ursula, Margaret loves to break decorum, especially with bawdy jokes and teases.

Read an in-depth analysis of Benedick. Antonio Brother of Leonato and a member of his household. His affections are mercurial — back and forth between infatuation and rejection. Friar Francis The good friar who is to perform the marriage of Hero and Claudio. He tried to overthrow his brother in battle but lost.

Don John Brother to Don Pedro. At the outset of the play, she appears content never to marry. Sexton A public official who records the testimony in a trial.

He is witty and often sarcastic, independent in spirit, loyal to friends — and not really the misogynist woman hater he appears to be.

Though she is honest, she does have some dealings with the villainous world of Don John: Claudio falls in love with Hero upon his return to Messina. Margaret One of two gentlewomen maidservants to Hero.

He recognizes that he may be opening himself up for ridicule at his reversal of his well-known attitudes, but he sees his opening up as a part of maturing. His new behavior finally culminates in his public proposal to her, risking not only her refusal and contempt, but also the ridicule of the assembled company.

Read an in-depth analysis of Beatrice.

Dogberry may be a man of "low station" and rough habits, especially as demonstrated in his garbled speech, but his pride and his wit suggest that some of his actions and expressions may be intentionally ambiguous and provocative. Friar Francis proposes the scheme to hide Hero after her denunciation, pretending she is dead.

He apparently likes to control events around him but in fact becomes a victim of them and seems the lesser for being deceived.Indeed, the play is about nothing; it follows the relationships of Claudio and Hero (which is constantly hampered by plots to disrupt it), and in the end, the play culminates in the two other main characters falling in love (Beatrice and Bena*censored*), which, because it was an event that was quite predictable, proves to be "much ado about.

In Much Ado About Nothing I found the relationship between Bene*censored* and Beatrice to be very interesting.

Their personalities were so similar, that it made them sick of each other, but the similarities in their personalities is also what brought them together.

Beatrice was a character very.

Leonato Governor of Messina, a city in Renaissance Italy. Most of the play takes place in and around Leonato's home and estate. He is father to Hero, uncle and guardian to Beatrice, and host to Don Pedro and his entourage.

Friendly and unsophisticated, influenced by appearances and opinions of. Benedick’s Soliloquy Analysis- Much Ado About Nothing Essay Words | 5 Pages. Benedick’s Soliloquy Analysis In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship.

Character Analysis Benedick Bookmark this page Manage My Reading List His apparent misogyny and unwillingness to make a commitment to a woman are almost stereotypes early in the play.

Much Ado About Nothing: Beatrice Potrayal Essay.

Beatrice is an extremely crucial character in ‘Much Ado About Nothing’. She is one of the reasons that many plans and schemes fall into place to provide us with the outcome that the play finally reaches.

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An analysis of the character bene censored in the play much ado about nothing
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